Glass: In The Summer House (2016)

Glass, Muhly

Angela Chun, Jennifer Chun, Nico Muhly

Nico Muhly first listened to Philip Glass’s Music in Twelve Parts on a Sony Discman in his freshman year of college, while riding the subway in New York. “One of the things I used to always struggle with with the masterpieces of classical minimal composition is the resistance, on the part of the composers, to suggest narratives,” the young composer wrote on his blog in 2008, describing the experience.

Shirking Glass’s abstraction, Muhly instead imbued the landmark minimalist work with his own personal narrative. Music in Twelve Parts would forever evoke an early metropolitan journey.

That Muhly encountered Glass’s music while riding the N train down Broadway is particularly appropriate. Glass has maintained a lifelong relationship to downtown New York, and Muhly himself has remained a steadfast Manhattanite even as many of his contemporaries have decamped to Brooklyn.

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Angela Chun

The violin duo of Angela and Jennifer Chun is one of today’s most exciting string formations, noted for its synchronicity and fluidity. The sisters have appeared at international festivals (Mostly Mozart, Ravinia, Aspen, London Bach Festival) working with conductors Zubin Mehta, André Previn, Thomas Sanderling, Iván Fischer, Leonard Slatkin, and Peter Oundjian. The Duo has guest-performed with the National Symphony Orchestra, Seattle Symphony Orchestra, London Bach Ochestra, Budapest Festival Orchestra, Toronto Chamber Orchestra, KBS Symphony Orchestra, Seoul Philharmonic, and at venues including Kennedy Center, Lincoln Center, and Carnegie Hall. The Duo’s keen interest in new music has led to collaborations with the composers György Kurtág, György Ligeti, Luciano Berio, Sebastian Currier, Kaija Saariaho, Philip Glass, Nico Muhly, and Isang Yun, whose music the Chuns have long championed. Grawemeyer Awardwinning composer George Tsontakis wrote Unforgettable for the Chuns: a double-violin concerto which they premiered in August 2009 to mark Aspen Music Festival’s 60th anniversary.

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Glass: In The Summer House (2016)

Glass, Muhly

Angela Chun, Jennifer Chun, Nico Muhly

    The Guardian

For the American composer Nico Muhly (born in 1981) English choral music is a dominant influence. So too is Philip Glass (born in 1937), whose music Muhly first discovered as a college freshman, later working for him as copyist and sequencer for his film scores. They remain friends, colleagues and Manhattanites. This album of music for two violins, agilely played by Angela and Jennifer Chun, highlights their strongly individual voices. Muhly’s Four Studies (2014) are transparent explorations in counterpoint (listen for the composer providing keyboard drone). Glass’s Mad Rush (1979) and In the Summer (1993, transcribed by the Chuns in 2014) carry his trademark arpeggiated patterns and ever unfolding melodies, which here take on a silvery, high-violin hue.

Fiona Maddocks[read full review]

    NativeDSD Blog

This album is amazing. “Glass: In the Summer House”, features Angela Chun and Jenifer Chun on violins and Nico Muhly on piano. Muhly also contributes two other works to the album which complement the feeling of the Glass pieces. Minimalist composing? Definitely, but melodies so rich and moving you wouldn’t want to change a thing. Glass: In the Summer House is a wonderful discovery. If you know Glass, you will already be ready. If you don’t, get ready for an emotional experience.

Bill Dodd, Senior Reviewer[read full review]

    AllMusic -

The sister duo of Jennifer and Angela Chun is to be commended for imaginative commissions, and the music on this Harmonia Mundi release is no exception. The growing fame of American composer Nico Muhly has rested in substantial part on choral music and its large British contemporary repertoire in particular, but he worked as Philip Glass' copyist, and the influence exerted by American minimalism on Muhly's music snaps into focus with this release. In the Four Studies, the only totally original work of the four on the album, the influence comes perhaps more from Steve Reich than from Glass, with the precisely executed, phase-shifting counterpoint of the Chun sisters above Muhly's own keyboard foundation. The other Muhly piece, Honest Music, is an intriguing transcription: a remaking of an original for violin and electronics into a work for two violins. Muhly perhaps outdoes his mentor here. The two works by Philip Glass are a bit less successful than his own, both transcriptions. Mad Rush is a two-violin version of an early piano piece (1979, based on a still earlier organ work). It's pure minimalist Glass and effective enough in a violin version, but In the Summer House, a 1993 suite of incidental music for voice, violin, cello, and synthesizer, does not really succeed as abstract music and is not enhanced by the transcription. Enhancement does come from Harmonia Mundi's sound, recorded at an auditorium at Drew University in New Jersey; even more so than the well-engineered recordings on Glass' own Orange Mountain Music label, it gives the music clean, abstract lines.

James Manheim[read full review]

    Gramophone Magazine

"Angela and Jennifer Chun’s violin lines are interwoven around shimmering drones generated by Muhly on piano and keyboard to create effective soundscapes…the Chun duo’s sensitive and delicate playing imparts at times ethereal and transcendental qualities to the [Glass]”

Gramophone Magazine[read full review]

    Arkiv Music

The music on this recital was specifically written or arranged for duo violinists Angela and Jennifer Chun. It highlights the personal and professional connections between Philip Glass and Nico Muhly, a longtime colleague and admirer of Glass's work. Glass's miniaturist works, Mad Rush and In the Summer House, create a maximum effect when paired with Muhly's minimalist Four Studies and Honest Music.

Arkiv Music[read full review]

Glass: In The Summer House (2016)

Glass, Muhly

Angela Chun, Jennifer Chun, Nico Muhly

Microphones: Schoeps Valve Microphones
Producer: Brad Michel
Recording Engineer: Brad Michel, Matthew Bennet
Recording location: The Concert Hall, Drew University, Madison New Jersey
Recording Software: Merging
Recording Type & Bit Rate: DSD64

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907599DI: Glass: In The Summer House
00:56:36   Select quality & channels above
Tracks.
1.
Four Studies - I. Suspensions
Muhly
00:04:24   Select quality & channels above
2.
Four Studies - II. Fast Canons
Muhly
00:03:51   Select quality & channels above
3.
Four Studies - III. Slow Canons
Muhly
00:03:52   Select quality & channels above
4.
Music for 2 violins - IV. Open notes
Muhly
00:02:56   Select quality & channels above
5.
Honest Music
Muhly
00:07:17   Select quality & channels above
6.
Mad Rush
Glass
00:14:48   Select quality & channels above
7.
In the Summer House - I. In the Summer House. II. My One and Only Hope. III. Gertrude's Pradise.
Glass
00:03:28   Select quality & channels above
8.
In the Summer House - IV. Mr. Solares' Picnic Lunch.
Glass
00:02:47   Select quality & channels above
9.
In the Summer House - VI. Molly Is a Dreamer. VII. Enter Vivian. VIII. The Beach -Lionel & Molly.
Glass
00:02:35   Select quality & channels above
10.
In the Summer House - XI. Vivian's Death. XII. Gertrude Leaves Summer House
Glass
00:02:41   Select quality & channels above
11.
In the Summer House - XIII. Left Alone
Glass
00:01:01   Select quality & channels above
12.
In the Summer House - XIV. The Lobster Bowl. XV. Back to Sad Things. XVI. I Knew You Would Come Back
Glass
00:03:13   Select quality & channels above
13.
In the Summer House - XVII. When I was a Little Girl
Glass
00:03:43   Select quality & channels above

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