Weber: Der Freischuetz (Double Album) (2019)

Weber

Lise Davidsen, Andreas Schager, Sofia Fomina, Alan Held, Markus Eiche, Franz-Josef Selig, Frankfurt Radio Symphony, MDR Leipzig Radio Choir

Marek Janowski

THE GERMAN ROMANTIC OPERA PAR EXCELLENCE
Maestro Marek Janowski leads a sensational cast — including star vocalists Lise Davidsen and Andreas Schager — on this new recording of Der Freischütz, the German Romantic opera par excellence. In the years after its 1821 premiere, the catchy melodies, picturesque charm and spooky scenes of Der Freischütz thrilled audiences throughout Europe. Janowski’s inspired reading lifts out the symphonic qualities of Carl Maria von Weber’s masterpiece, and makes clear why colleagues such as Hector Berlioz and Richard Wagner raved about the work. The excellent cast consists of Lise Davidsen (Agathe), Andreas Schager (Max), Sofia Fomina (Ännchen), Alan Held (Kaspar), Markus Eiche (Ottokar) and Franz-Josef Selig (Eremit). Janowski conducts the Frankfurt Radio Symphony and MDR Radio Choir. For this recording, the original spoken dialogues have been replaced by short narrations, written by Katharina Wagner and Daniel Weber and recited by Corinna Kirchhoff and Peter Simonischek.

Marek Janowski is one of the most celebrated conductors of our times, and enjoys a vast PENTATONE discography, including complete recordings of Bruckner’s symphonies and Wagner’s mature operas. Frankfurt Radio Symphony has also released multiple albums on PENTATONE, including a recording of Richard Strauss’s Salome (2017).

Read more

Marek Janowski

Marek Janowski has been artistic director of the Rundfunk- Sinfonieorchester Berlin (= RSB, the Radio Symphony Orchestra Berlin) since 2002. Under his directorship between 1984 and 2000, the Orchestre Philharmonique de Radio France rose to become the leading orchestra in France. During a number of years, he also put his personal stamp on the Gu?rzenich Orchester Köln (1986-1990), the Dresdner Philharmonie (2001-2003), the Orchestre Philharmonique de Monte-Carlo (2000-2005), and the Orchestre de la Suisse Romande (2005-2012).

Read more

Weber: Der Freischuetz (Double Album) (2019)

Weber

Lise Davidsen, Andreas Schager, Sofia Fomina, Alan Held, Markus Eiche, Franz-Josef Selig, Frankfurt Radio Symphony, MDR Leipzig Radio Choir

Notes:

NativeDSD selectively creates higher DSD bitrates of label's releases using two methods (Merging Technologies Album Publishing and Singnalyst HQPlayer Pro), depending on the original edited master source. In order to understand the processes, a bit of background is appropriate.  

NativeDSD sells only recordings that were originally recorded in DSD or DXD (352.8KHz PCM). The overwhelming majority of these recordings were edited and post processed in DXD, then converted (modulated) into DSD deliverable bit rates. NativeDSD acquires the label's original DXD edited master, and using Merging Technologies Album Publishing, creates a first generation DSD64, DSD128, and DSD256, as well as a DXD FLAC deliverable.  Additionally, on selected recordings, a 32bit PCM WAV file is extracted (the DXD PCM FLAC is 24 bits by format definition), and uses it to modulate a DSD512 using HQPlayer Pro.

The exception to the above are the few label recordings (Yarlung, Eudora, Just Listen etc.) that record in DSD, and do no PCM post processing mixing, level balancing, EQ etc. That's doable by restricting post processing to just editing, where only the edit transition interval (typically 100ms or less) is PCM converted, leaving the DSD music content unaltered when rendered. For those recordings, the DSD edited master (the actual recording master with edits) is used with HQPlayer Pro to re-modulate the missing DSD bitrates.

Why do any of this? It's to provide a DSD bitrate deliverable choice, allowing a customer to purchase the highest DSD bitrate their DAC will support.

It's correct that there's no additional music content information contained in the higher DSD bit rate from the original DSD bitrate. What's different is the uncorrelated modulation noise content placement in the frequency spectrum. When a DSD original file is converted to DXD (PCM), the inherent DSD modulation noise is removed through the decimation filtering, and re-inserted when modulated back to DSD. The modulation noise (again, uncorrelated) is the carrier part of the DSD bitstream modulation, and an inherent part of the DSD bit stream.

 

While the spectorial shape is the same regardless of the DSD bitrate, it's effective start and end points move an octave higher for every doubling of the DSD bitrate. For DSD64, the uncorrelated modulation noise is about -110dB at 20KHz, rising to about -50dB at 100KHz. For DSD512, the modulation noise is about -110dB at 160KHz, and -50dB at 800KHz. What this allows is for the customer's DAC to use gentler, more Gaussian shaped reconstruction filters, with far improved phase response.

 

Recording Engineer: Jean-Marie Geijsen, Philipp Knop // Assistant Engineers: Ludger Brüggemann, Lutz Keller, David Gumper & Alexander Kolb (PA)
Recording location: November 2018 at the HR-Sendesaal, Frankfurt/Main, Germany
Recording Type & Bit Rate: DSD 64

Quality & Channel Selection
Select Quality and Channels to calculate the price below More info

Quality

This album is available as ST+MCH download (Stereo + Multichannel)
With an active NativeDSD Plus Subscription you have access to all lower DSD rates after purchase. Learn more.
Album Download duration price
PTC5186788: Weber: Der Freischuetz (Double Album)
01:55:21   Select quality & channels above
Tracks.
1.
Ouverture
Weber
00:08:55   N/A
2.
Introduction Victoria, Der Meister soll leben
Weber
00:05:34   N/A
3.
Narration Was traf er denn
Weber
00:01:46   N/A
4.
Terzetto and Chorus O, diese Sonne
Weber
00:06:07   N/A
5.
Scene, Waltz and Aria Nein, Langer trag' ich nicht die
Weber
00:08:05   N/A
6.
Narration Der gute Kaspar is mir schon treu zu Diensten
Weber
00:00:28   N/A
7.
Song Hier im ird'schen Jammerthal
Weber
00:01:49   N/A
8.
Narration Schweig, gegen Jedermann - Kaspar ist geschickt
Weber
00:00:56   N/A
9.
Aria Schweig, Damit dich Niemand warnt
Weber
00:03:01   N/A
10.
Duet Schelm, halt fest
Weber
00:04:21   N/A
11.
Narration Sie blutet
Weber
00:00:12   N/A
12.
Arietta Kommt ein schlanker Bursch gegangen
Weber
00:03:40   N/A
13.
Narration Meine Warnung treibt Agathe um
Weber
00:00:26   N/A
14.
Scene und Aria Wie nahte mir der Schlummer
Weber
00:08:25   N/A
15.
Narration Ihr sehnlichst erwarteter Brautigam
Weber
00:00:59   N/A
16.
Terzetto Wie, Was, Entsetzen
Weber
00:06:23   N/A
17.
Finale The Wolf's Glen, Die Wolfsschlucht
Weber
00:15:38   N/A
18.
Entr'acte
Weber
00:01:51   N/A
19.
Cavatina Und ob die Wolke sie verhulle
Weber
00:05:46   N/A
20.
Narration Meine Warnung verfolgt sie jetzt bis in ihren Schlaf
Weber
00:00:37   N/A
21.
Romance and Aria Einst traumte meiner sel'gen Base
Weber
00:06:07   N/A
22.
Narration Annchen versucht Agathe Mut zuzusprechen
Weber
00:00:14   N/A
23.
Folksong - Chorus of the Bridesmaids - Wir winden dir den Jungfernkranz
Weber
00:02:21   N/A
24.
Narration Sie stolperte - Eremit, Annchen, Agathe
Weber
00:01:35   N/A
25.
Hunter's Chorus Was gleicht wohl auf Erden
Weber
00:02:35   N/A
26.
Narration Alle, alle stehen sie da
Weber
00:00:55   N/A
27.
Finale Schaut, schaut
Weber
00:16:35   N/A

User Reviews

Other albums from this label