av: Antonio Vivaldi (1678-1741)
gt: Giuseppe Tartini (1692-1770)
fmv: Francesco Maria Veracini (1690-1768)
jgp: Johann Georg Pisendel (1687-1755)
the scene (from booklet)
Vivaldi, Tartini, Veracini and Pisendel are slouched on divans. Loud and tipsy, they dominate this corner of heaven reserved for a very specific type of musician: the violinist-composer. Here, once a year, on the seventeenth day of the second month, these violinists gather to reminisce, gossip and argue. Their discussions often venture into the technical; they discuss bow technique, ornamentation, acoustics. This evening they also indulge in the personal. Stories flow with the ease and speed of wine from a jug, and it is at this point that we join them in salutation.
Total time: 01:07:02
|Original Recording Format|
van der Hul
Bruel & Kyaer, Schoeps
Rens Heijnis custom made
St. Jude's on the Hill, Hampstead, London
|Recording Type & Bit Rate||
|Release Date||September 9, 2017|
(…) Wer noch ein Weinachtsgeschenk für Freunde italienischer und italienisch inspirierter Geigenmisik des 18.Jahrhundert sucht, dürfte mit dieser CD goldrichtig liegen. (…)
(…) British Baroque violinist Rachel Podger has previously fascinated me both with Mozart’s sonatas and early baroque kumbering, which explains his understanding of the extent and style of his infertility. The latest feature of Podger and record label Channel Classics with the title “Grandissima Gravita” is perhaps even more fascinating than before – it contains music from the baroque jewels of the Golden Age. Tartini, Veracini, Vivaldi and Pisendel were violinist composers in Italy at the beginning of the 18th century when the skill of composing a violin and playing music had evolved to a peak. (…)
(…) another gem in which each radiant quick strike of violin, cello, lute or harpsichord is heard buoyant and tactile alive. (…) This recording is so present and dynamic that you can easily visualize Podger smiling and dancing in place to each of her long punctuated strokes (or dynamic quip) on her violin. (…)
(…) Most evident are Podger’s distinctively tangy, pungent sound—a winning combination of acid and sweetness that seems ideal for her chosen repertoire—and her ability to enliven every phrase she plays. Auditioned via a stereo DSD128 download from nativeDSD.com, Podger’s playing sounds glorious throughout. (…) another potential award-winner for Podger and Brecon Baroque
Her accounts of the Vivaldi, Tartini and Pisendel sonatas are all turned with style, imagination and sensitivity and she introduces vibrato and extempore ornamentation freely. She is underpinned throughout by an excellent continuo team (…) The recording is typically lucid, detailed and ideally balanced.
Stereophile Magazine [March 2018]
A treat for baroque completists and violin lovers [4 stars for Performance, 5 stars for Sonics]
Snow showers! On November 13. In Western Massachusetts! And unexpectedly this album of baroque violin sonatas sounds warm and comforting that last week seemed a bit indifferent. I’ve learned not to underestimate the role meteorological (and other) conditions can play in how music strikes me. Rachel Podger, who has become one of the stars of the baroque violin, has been moving beyond her usual fare of late, a reward for having earned her stripes with Bach, Mozart, and Vivaldi. She is now free to sort through appealing works by lesser lights. For our pleasure. Accompanied by her usual friends these days, including the always dependable cellist, Alison Gillivray. These two musicians have a wonderful way with each other and Veracini in particular is the benefactor. This music occupies the territory where beauty and play intersect which perfectly suits Podger’s performing personality. Last week this album wanted little to do with me, this week it loves me. So consider this album when the snow flies near you.
Gramophone [Editor’s Choice – Dec 2017]
Programmed and presented with flair, and faultlessly performed, this is a listening experience of unbridled pleasure. An exceptional album.
Superbly performed and recorded as you would expect, this is a very fine collection of some intriguing and entertaining works. Bringing out the best of four musicians, the sound created is full and colourful, from sparkling harpsichord, thrumming lute and support for the bass line from the cello, Rachel Podger’s virtuoso violin has plenty of substance over which it can sing and declaim with joyous expressiveness. (…) this is some of the best Baroque period music making currently available on this particular planet.
Luister (Luister 9)
(…) De violiste inspireert met haar ongelofelijk verfijnde en kalme spel en laat horen terecht gekroond te zijn tot koningin van de barokviool (…) sensitieve musici (…) Een groot compliment verdient Mark Seow, schrijver van de programmatoelichting. (…)
(…) the contribution of members of Brecon Baroque – Daniele Caminiti (lute and guitar), Alison McGillivray (cello) and Marcin ?wi?tkiewicz (harpsichord) – is as delightful and imaginative as that of the soloist. (…) unusual and amusing liner notes by Mark Seow (…) the sound on this multi-channel DSD possesses the remarkable vividness, warmth and realism that one has come to expect from every Channel Classics release on SACD. (…) The typically incomparable level of artistry and technical excellence Rachel Podger and her Brecon Baroque colleagues brings to each of these sonatas ensure that this SACD warrants the highest recommendation.
Rachel Podger, aussi spirituelle que lyrique, en transe ou méditant, l’archet bien à la corde ou peignant les harmoniques, fait face à ces ténèbres avec une telle spontanéité qu’elle rend unique chacune de ces pages, et met magnifiquement en valeur le clair-obscur de cette musique italienne.
BBC Music Magazine [Chamber Choice, Dec 2017]
“Rachel Podger, inevitably, is the star, but ultimately the disc’s compulsive spell is down to the triumph of ensemble chemistry. Even the humblest of cello lines is elevated beyond functionality into something expressive and integral to the overall effect. Bewitching.”
5 ***** for Performance
5 ***** for Recording
(…) Dit zijn uitvoeringen die van begin tot eind een diepe indruk maken. (…)de perfecte articulatie, het kleurrijke lijnenspel, de pregnante ritmiek, de bereidheid ook om het scherp van de snede op te zoeken. En dan is er niet in de laatste plaats Jared Sacks die in het Londense St Jude’s-on-the-Hill er weer een opnamtechnisch juweel van heeft gemaakt.
Another superb recording from the award-winning Rachel Podger and Brecon Baroque.
BBC Radio 3 – CD Review
The expressive freedom they find together is a real joy. (…) The quality of conversation between the four of them is riveting, full of incident and dynamic interplay.
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