By presenting Schubert’s first three symphonies and a selection of stage music, this album showcases a less-known, but fascinating part of the composer’s oeuvre. His extraordinary achievements in the fields of Lieder and string quartet composition tend to overshadow his orchestral output, and his symphonic contributions have sometimes been viewed as marginal in comparison to Beethoven’s. However, judged on their own merits, these works display a high level of sophistication indeed. The repertoire featured on this release shows Schubert’s symphonic development, from the first two symphonies influenced by Mozart & Haydn to the masterful Third, in which his compositional voice is clearly perceivable. These three symphonies, all composed when Schubert was still a teenager, are complemented by works related to the stage. While the Overture in Italian Style in D major highlights Schubert’s fascination for Rossini, the Incidental Music to Rosamunde contains some of the composer’s most appealing melodies. These orchestral works are performed by the Copenhagen Phil under the baton of Lawrence Foster, who has a vast PENTATONE discography.
Total time: 02:07:11
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NativeDSD selectively creates higher DSD bitrates of label's releases using two methods (Merging Technologies Album Publishing and Singnalyst HQPlayer Pro), depending on the original edited master source. In order to understand the processes, a bit of background is appropriate. NativeDSD sells only recordings that were originally recorded in DSD or DXD (352.8KHz PCM). The overwhelming majority of these recordings were edited and post processed in DXD, then converted (modulated) into DSD deliverable bit rates. NativeDSD acquires the label's original DXD edited master, and using Merging Technologies Album Publishing, creates a first generation DSD64, DSD128, and DSD256, as well as a DXD FLAC deliverable. Additionally, on selected recordings, a 32bit PCM WAV file is extracted (the DXD PCM FLAC is 24 bits by format definition), and uses it to modulate a DSD512 using HQPlayer Pro.The exception to the above are the few label recordings (Yarlung, Eudora, Just Listen etc.) that record in DSD, and do no PCM post processing mixing, level balancing, EQ etc. That's doable by restricting post processing to just editing, where only the edit transition interval (typically 100ms or less) is PCM converted, leaving the DSD music content unaltered when rendered. For those recordings, the DSD edited master (the actual recording master with edits) is used with HQPlayer Pro to re-modulate the missing DSD bitrates.Why do any of this? It's to provide a DSD bitrate deliverable choice, allowing a customer to purchase the highest DSD bitrate their DAC will support.It's correct that there's no additional music content information contained in the higher DSD bit rate from the original DSD bitrate. What's different is the uncorrelated modulation noise content placement in the frequency spectrum. When a DSD original file is converted to DXD (PCM), the inherent DSD modulation noise is removed through the decimation filtering, and re-inserted when modulated back to DSD. The modulation noise (again, uncorrelated) is the carrier part of the DSD bitstream modulation, and an inherent part of the DSD bit stream.
While the spectorial shape is the same regardless of the DSD bitrate, it's effective start and end points move an octave higher for every doubling of the DSD bitrate. For DSD64, the uncorrelated modulation noise is about -110dB at 20KHz, rising to about -50dB at 100KHz. For DSD512, the modulation noise is about -110dB at 160KHz, and -50dB at 800KHz. What this allows is for the customer's DAC to use gentler, more Gaussian shaped reconstruction filters, with far improved phase response.
Concert Hall of the Royal Academy of Music, Copenhagen in October 2017
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|Release Date||March 3, 2019|
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