Tchaikovsky – The Nutcracker, Op. 71, TH 14 – Live

State Academic Symphony Orchestra, Vladimir Jurowski

19.9933.49
Clear
Original Recording Format: DSD 64

AN ENCHANTING MASTERPIECE  After the tremendous success of Swan Lake, Vladimir Jurowski and the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov” continue their Tchaikovksy ballet series on PENTATONE with this recording of The Nutcracker. Tchaikovsky’s enchanting masterpiece is an absolute audience favourite, thanks to hits such as the Waltz of the Flowers, Trepak and Dance of the Sugar Plum Fairy, but also due to the composer’s ability to evoke a sense of wonder in listeners both young and old. Vladimir Jurowski and his players tell this story about the power of fantasy with unprecedented zeal, demonstrating the symphonic refinement and orchestral brilliance of Tchaikovsky’s score.

The Nutcracker offers the third PENTATONE release of the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov” together with its Artistic Director Vladimir Jurowski, after Prokofiev Symphonies 2 & 3 (2017) and Swan Lake (2018). Jurowski has recorded extensively for PENTATONE and is generally seen as one of the most prominent conductors of his generation.

Tracklist

1.
The Nutcracker, Op. 71, TH 14 - Overture - Live
03:13
2.
The Nutcracker, Op. 71, TH 14, Act I - No. 1, The Christmas Tree - Live
03:52
3.
The Nutcracker, Op. 71, TH 14, Act I - No. 2, March of the Toy Soldiers - Live
02:27
4.
The Nutcracker, Op. 71, TH 14, Act I - No. 3, Children?s Gallop and Dance of the Parents - Live
02:27
5.
The Nutcracker, Op. 71, TH 14, Act I - No. 4, Arrival of Drosselmeyer - Live
06:08
6.
The Nutcracker, Op. 71, TH 14, Act I - No. 5, Scene and Grandfather Waltz - Live
06:32
7.
The Nutcracker, Op. 71, TH 14, Act I - No. 6, Clara and the Nutcracker - Live
06:57
8.
The Nutcracker, Op. 71, TH 14, Act I - No. 7, The Battle - Live
03:37
9.
The Nutcracker, Op. 71, TH 14, Act I - No. 8, A Pine Forest in Winter - Live
03:37
10.
The Nutcracker, Op. 71, TH 14, Act I - No. 9, Waltz of the Snowflakes - Live
06:45
11.
The Nutcracker, Op. 71, TH 14, Act II - No. 10, The Magic Castle in the Land of Sweets - Live
03:52
12.
The Nutcracker, Op. 71, TH 14, Act II - No. 11, Clara and Nutcracker Prince - Live
04:51
13.
The Nutcracker, Op. 71, TH 14, Act II - No. 12a, Divertissement. Chocolate - Spanish Dance Live
01:12
14.
The Nutcracker, Op. 71, TH 14, Act II - No. 12b, Divertissement. Coffee - Arabian Dance Live
03:00
15.
The Nutcracker, Op. 71, TH 14, Act II - No. 12c, Divertissement. Tea - Chinese Dance Live
01:06
16.
The Nutcracker, Op. 71, TH 14, Act II - No. 12d, Divertissement. Trepak - Russian Dance Live
01:08
17.
The Nutcracker, Op. 71, TH 14, Act II - No. 12e, Divertissement. Dance of the Reed Flutes - Live
02:20
18.
The Nutcracker, Op. 71, TH 14, Act II - No. 12f, Divertissement. Mother Ginger and the Polichinelles
02:40
19.
The Nutcracker, Op. 71, TH 14, Act II - No. 13, Waltz of the Flowers - Live
06:21
20.
The Nutcracker, Op. 71, TH 14, Act II - No. 14a, Pas de deux. Sugar Plum Fairy and Her Cavalier - Li
04:36
21.
The Nutcracker, Op. 71, TH 14, Act II - No. 14b, Pas de deux. Tarantella - Live
00:43
22.
The Nutcracker, Op. 71, TH 14, Act II - No. 14c, Pas de deux. Dance of the Sugar-Plum Fairy - Live
02:08
23.
The Nutcracker, Op. 71, TH 14, Act II - No. 14d, Pas de deux. Coda - No. 15, Final Waltz - Live
06:27

Total time: 01:25:59

Additional information

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Original Recording Format

Composers

Mastering Engineer

Erdo Groot

Notes

NativeDSD selectively creates higher DSD bitrates of label's releases using two methods (Merging Technologies Album Publishing and Singnalyst HQPlayer Pro), depending on the original edited master source. In order to understand the processes, a bit of background is appropriate.   NativeDSD sells only recordings that were originally recorded in DSD or DXD (352.8KHz PCM). The overwhelming majority of these recordings were edited and post processed in DXD, then converted (modulated) into DSD deliverable bit rates. NativeDSD acquires the label's original DXD edited master, and using Merging Technologies Album Publishing, creates a first generation DSD64, DSD128, and DSD256, as well as a DXD FLAC deliverable.  Additionally, on selected recordings, a 32bit PCM WAV file is extracted (the DXD PCM FLAC is 24 bits by format definition), and uses it to modulate a DSD512 using HQPlayer Pro. The exception to the above are the few label recordings (Yarlung, Eudora, Just Listen etc.) that record in DSD, and do no PCM post processing mixing, level balancing, EQ etc. That's doable by restricting post processing to just editing, where only the edit transition interval (typically 100ms or less) is PCM converted, leaving the DSD music content unaltered when rendered. For those recordings, the DSD edited master (the actual recording master with edits) is used with HQPlayer Pro to re-modulate the missing DSD bitrates. Why do any of this? It's to provide a DSD bitrate deliverable choice, allowing a customer to purchase the highest DSD bitrate their DAC will support. It's correct that there's no additional music content information contained in the higher DSD bit rate from the original DSD bitrate. What's different is the uncorrelated modulation noise content placement in the frequency spectrum. When a DSD original file is converted to DXD (PCM), the inherent DSD modulation noise is removed through the decimation filtering, and re-inserted when modulated back to DSD. The modulation noise (again, uncorrelated) is the carrier part of the DSD bitstream modulation, and an inherent part of the DSD bit stream.

 

While the spectorial shape is the same regardless of the DSD bitrate, it's effective start and end points move an octave higher for every doubling of the DSD bitrate. For DSD64, the uncorrelated modulation noise is about -110dB at 20KHz, rising to about -50dB at 100KHz. For DSD512, the modulation noise is about -110dB at 160KHz, and -50dB at 800KHz. What this allows is for the customer's DAC to use gentler, more Gaussian shaped reconstruction filters, with far improved phase response.

 

Producer

Renaud Loranger

Recording Engineer

Lauran Jurrius

Recording location

Moscow Tchaikovsky Conservatory main hall, Russia

Recording Type & Bit Rate

DSD 64

SKU

PTC5186761

Release Date November 11, 2019
SKU PTC5186761

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