Music Reviews

Godowsky’s ‘Java Suite’ – Two Interpretations

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I didn’t know much about  Polish-American pianist and composer, Leopold Godowsky (1870-1938).  I saw his name occasionally, but it wasn’t until I spent some time with his Java Suite that I wanted to know more.  Godowsky is celebrated for his extraordinary technical imagination and his ability to transform the piano into an almost orchestral instrument. He was widely admired as a virtuoso and as a teacher in both the US and Europe.  And he was held in especially high regard by luminaries like Busoni, Saint-Saens, and Rachmaninoff.

Godowsky’s Java Suite (1924-25) is a 12-movement “tonal travelogue” inspired by Javanese culture, landscape, and Javanese gamelan music.  Gamelan is a traditional Indonesian musical ensemble, built around a shimmering, interlocking world of tuned percussion.

These two albums offer excellent performances, but with strikingly different interpretations.  Tobias Borsboom brings a structural clarity and rhythmic definition, and also takes things just a bit slower.  Julian Chan emphasizes color and flow.  There is a huge difference, but both treat the work as a complete artistic statement rather than a virtuoso showpiece.

With Borsboom, you are experiencing Java.  With Chan, you are consumed by it.  I am no expert, but I’m guessing that Chan is closer to the gamelan atmosphere and “experience,” but I think Borsboom is showing us the images that Godowsky intended.

So, do you meditate with Chan, or visit with Borsboom?

Each pianist is superb.  Each viewpoint is completely valid.  Each recording is excellent.   Picking just one, I lean towards the Borsboom, but the samples are there for you to make your own decision.  There is no “right” or “wrong.”  Both are remarkable experiences.


You might also be interested in this marvellous Debussy album, which features “Pagodes” which was also inspired by Java’s gamelan music.

Written by

Bill Dodd

Bill is Senior Music Reviewer at NativeDSD. He lives in the Portland, Oregon area. He is an avid photographer too! Along with his early interest in broadcasting and high fidelity audio, he was exposed to classical music in small doses from age 5, was given piano lessons from age 9— Starting with Bach and including Gershwin. Successful morning personality in San Francisco at age 22. (true). Sang in choirs in high school and college. Although the broadcasting experience was all in popular music, his personal listening has been mostly classical his whole life—along with others including Benny Goodman, Miles Davis, Dave Brubeck, Joni Mitchell, The Who, and Led Zeppelin.

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