This refers to a production in which the original DSD microphone tracking channels are mixed and optionally sweetened (EQ, reverb, etc.) entirely in the DSD domain, without any conversion to another format.
There is no trip through analog or PCM — it’s 100% DSD from microphone to edit master.
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Pacific Chorale, Robert Istad, Salastina Ensemble
Lifeline Quartet, Michael Fitzgerald, Michelle Mayne-Graves and 2 more