Bomba Flamenca

La Tempete, Simon-Pierre Bestion

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Simon-Pierre Bestion immerses us in the world of Charles V and a Spain marked by Arab-Andalusian culture. From 1515 onwards, Spain also welcomed musicians and singers from Flanders: this Capilla flamenca had an explosive effect on Spanish music during the Renaissance, according to Bestion. He has composed an imaginary Requiem for the death of Charles V, using compositions actually intended for this service, such as Pedro de Escobar’s Missa pro defunctis and Cristobal de Morales’ Missa Mille regretz, based on the emperor’s favourite song. As usual, the founding conductor of La Tempête takes a few liberties and breathes life into these works by arranging them with variations in timbre, tempo and expression: ‘I chose to make extensive use of percussion and certain very distinctive instruments such as the shawm and sackbuts, which perfectly match the spirit of outdoor processions, such as those in the gardens of the Alhambra.’


La Tempête
Simon-Pierre Bestion

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Taqsim (Prélude improvisé d'après un traditionnel d’Afrique du Nord) [Arr. for Ensemble by Simon-Pie
02:31
2.
La Guerre (Extract) - La Bomba
04:36
3.
Mille regres
03:16
4.
Missa Mille regretz: I. Kyrie eleison
05:10
5.
Nawa athar (D’après un traditionnel Arabo-andalou) [Arr. for Ensemble by Michèle Claude and Simon-Pi
03:27
6.
Musae Jovis
05:28
7.
Congaudeant catholici (Extract) [Arr. for Ensemble by Simon-Pierre Bestion]
04:37
8.
Una sanosa porfia
05:24
9.
Ad mortem festinamus (D’après le Llibre Vermell de Montserrat)
02:30
10.
Lamentationes hieremiae prophetae: Mem
06:08
11.
Irme kero madre a Yerushalayim (D’après un traditionnel séfarade) [Arr. for Ensemble by Michèle Clau
05:16
12.
Vidi sub ara Dei (Chant mozarabe issu du Cantorales Mozarabes de Cisneros)
02:50
13.
Missa pro defunctis: Sanctus - Benedictus
05:31
14.
Lamentationes hieremiae prophetae: Gimel
05:47
15.
Missa pro defunctis: Agnus Dei
04:11
16.
Magnificat (D’après le Fabordon y glosas del primer tono) [Arr. for Ensemble by Simon-Pierre Bestion
04:32
17.
El fuego
07:27
18.
Parce mihi, Domine (Arr. for Ensemble by Simon-Pierre Bestion)
04:33

Total time: 01:23:14

Additional information

Label

SKU

ALPHA1216

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Original Recording Format

Recording Location

Temple protestant du Saint-Esprit, Paris (France)

Instruments

Recording Engineer

Ken Yoshida

Mixing

Ken Yoshida

Release Date April 24, 2026

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