Memory

Paloma

16,9932,99
(1 press review)
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Original Recording Format: PCM 192k
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Before its official release, Memory was named “Album of the Month” in Audio/Stereophile Germany. And once you hear it, you’ll understand why. This isn’t just another vocal album—it’s a sonic experience. Recorded entirely with ribbon microphones and tube mic preamps, Memory offers what may be the most astoundingly natural vocal sound that The Audiophile Society has captured.

There’s no digital glaze, no overproduction—just pure, intimate tone. For audiophiles in search of truth in timbre, this is the album that delivers. With an all-analog front-end, lush harmonic depth, real dynamics, deep stereo imaging, and a vocal presence so lifelike it practically breathes beside you, Memory is a high-fidelity triumph, and at the center of it all is a young artist with the soul of a seasoned master.

Memory is the highly anticipated follow-up to Paloma Chesky’s acclaimed Soul on Soul—an album that critics and listeners alike raved about for its emotional depth and originality. Now, with Memory, Paloma takes that promise even further, expanding her sonic palette and creative vision.

As a young singer, Paloma Chesky is already headlining iconic New York venues like Birdland, City Winery, DROM, and The Mercury Lounge. Her performances are emotionally gripping and musically refined, a rare combination in any era. Backed by a dynamic young band—Michael Hilgendorf on guitar and musical direction, Maxwell Barnes on tenor sax, Chris Ramirez on bass, and Danno Peterson on drums—Paloma reimagines both jazz standards and her own original material with stunning maturity and effortless cool.

This new release blends the emotional resonance of classic jazz with the lyricism of pop and the sensual rhythm of Brazilian music. Her reimagined originals—“Green,” “Memory,” “Diamond,” “Sober Now”— already sound like standards in the making. Her rendition of Jobim’s Corcovado, sung in beautifully fluent Portuguese, is a poignant tribute to her Brazilian-American heritage and an example of her ability to move between styles and languages with grace.

In an age of compressed playlists and artificial polish, Memory is a breath of fresh air — a work of honesty, beauty, and soul. This is not background music. This is music that demands—and rewards — deep listening.

Memory is not just the next step in Paloma Chesky’s journey—it’s a bold declaration of artistry, and a glimpse into the thrilling future of vocal jazz.


Paloma Chesky, Vocals
Michael Hilgendorf, Guitar & Direction
Maxwell Barnes, Tenor Saxophone
Chris Ramirez, Bass
Danno Peterson, Drums

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Summertime
03:50
2.
Green
03:36
3.
Baby Face
04:07
4.
Memory
04:11
5.
Sober Now
04:43
6.
Corcovado
03:30
7.
House of the Rising Sun
04:59
8.
Diamonds
03:47
9.
When the Moon's Away
04:56

Total time: 00:37:39

Additional information

Label

SKU

AS39

Qualities

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Artists

Composers

, , ,

Genres

Original Recording Format

Recording Engineer

Cole Flowers

Mastering

Nicholas Prout

Producer

David Chesky

Mixing

David Chesky

Recording Location

Eastside Studios, NY, USA

Release Date November 18, 2025

Press reviews

All About Jazz 4 out of 5

Paloma Dineli Chesky sings “Corcovado” much as he played it: plangent yet breathy. Hers is not an imitation by any means, but conjures up Davis’ bittersweet feeling of, as an anonymous person in the liner notes to Quiet Night said, “a child locked out.” A lovely song, tinged by sadness and longing. Chesky has the perfect voice for it. In her Brazilian Portuguese, the effect is magical.

The band is perfectly adjusted to Chesky’s style, subtly shading her emphases, adding accents where needed. At times, the band is an extension of her voice; separating her voice from their riffing is nearly impossible. Maxwell Barnes on tenor sax is particularly simpático, but everyone was up for this date.

Chesky will be a singer with whom to reckon for years to come: “I want to tie different style and ideas together.” Indeed she does, and with considerable originality and spontaneity as well. She is not just an updated version of a classic, impressive and difficult as that itself may be.

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