This new recording from March 2024 of Jean-Baptiste Lully’s musical tragedy, premiered in Saint-Germain-en-Laye 348 years earlier, is the result of the most recent historical, musicological and organological research. The instructions in the 1676 libretto regarding the orchestra’s layout, the number and distribution of musicians, and the instrumental colours, particularly of the wind instruments, have been scrupulously followed by Alexis Kossenko and Benoît Dratwicki, artistic director of the Centre de Musique Baroque de Versailles. The choice of soloists was as close as possible to the characteristics of the singers who performed the work when it was first created, as much is known about their vocal and theatrical qualities. This has resulted in a first-rate vocal ensemble, including Mathias Vidal, Véronique Gens, Sandrine Piau, Tassis Christoyannis, Hasnaa Bennani, Eléonore Pancrazi, Adrien Fournaison, David Witczak… as well as the Pages and Chantres du CMBV (bringing together children and adults) and Les Ambassadeurs – La Grande Écurie, all experts in this repertoire.

Mathias Vidal – Atys
Véronique Gens – Cybèle
Sandrine Piau – Sangaride
Tassis Christoyannis – Célenus
Hasnaa Bennani – Doris
Éléonore Pancrazi – Melpomène, Mélisse
Adrien Fournaison – Idas, Phobétor
David Witczak – Le Temps, Un Songe Funeste, Le Fleuve Sangar
Antonin Rondepierre – Un Zéphir, Morphée, Un Dieu de Fleuves
Virginie Thomas – Flore, Une Divinité de Fontaines
Marine Lafdal-Franc – Iris, Une Divinité de Fontaines
Reinoud Van Mechelen – Le Sommeil
François-Olivier Jean – Phantase

Les Pages et Les Chantres du Centre De Musique Baroque de Versailles
Les Ambassadeurs ~ La Grande Écurie
Alexis Kossenko – Direction Musicale