Petteri commands his instrument with ease. While much of his music is exceptionally beautiful, it is not beautiful for the sake of being pretty. The modern concert world has heard few violinist’s with Petteri’s ability to control color and timbre, and even fewer who use this ability for such musical and appropriate ends. Listen, just for some examples among many, to the colors Petteri employs in the first movement of the Debussy sonata, especially in the flautando sections. Or the extreme tenderness of the second movement of Ysaÿe’s Sonata No. 2. And then compare that with the icy brilliance of the same sonata’s fourth movement after the one minute mark. Note too the yearning of an entire nation, perhaps the entire Twentieth Century, in the arrival of the Eli Eli theme in tracks eight and nine. Enjoy the world of color and emotion that Petteri delivers in these works on our recording.
Total time: 00:31:06
DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz
Steve Hoffman, Kevin GrayYarlung recorded this album directly to two tracks of RMGI 468 analog tape running at 15 ips, with no mixer. We used the Hapi converter and Pyramix software from Merging Technologies in Switzerland to make these transfers to DSD. Our sincere thanks to Merging Technologies for making this quartet of releases possible
|Original Recording Format|
Alfred Newmann Hall Los Angeles
|Release Date||December 13, 2014|
“A thrilling album”
“…worthy of your attention for music, performances, and sound.”
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