Goldberg-Variationen (2019)

Bach

László Borbély

Forkel, the author of the first significant Bach monograph, tells the story of the origin of the composition. According to him, the great Johann Sebastian was commissioned by a certain Count Keyserlinck to compose the Goldberg Variations. The Count suffered from insomnia, therefore he asked the composer whom he had known from earlier to compose some music which his court harpsichordist, Johann Gottlieb Goldberg, could play for him from time to time in the tormenting hours of the night. Bach believed that a series of variations would best suit the purpose so that Goldberg could play different movements each night. Keyserlinck received the score and paid an appreciable sum for the work, handing over a golden plate with a hundred double Louis d’or.

The 27th variation continues the method only partially: it is a canon on the ninth but there are only two parts. Variation 30 is a Quodlibet of well-known folksongs instead of the expected canon on the tenth. Variations 4, 7, 10, and some others are character pieces (No. 7 is a gigue, No.10 is a fugato, but No. 16, the French overture, also belongs to this group), others (from Variation 5) are virtuoso pieces utilising the technical possibilities of the two-manual harpsichord and are rather dif?cult to play on the piano, since the two hands always cross owing to the lack of the other manual. It remains an unanswered question of how Goldberg could cope with the task. Because, even if not at the age of 15, he probably played these movements for the sleepless Count at some time.

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Goldberg-Variationen (2019)

Bach

László Borbély

Cables: Wireworld Micro-Silver Platinum OCC
Digital Converters: Hapi, Merging Technologies
Microphone Preamp: API 3124+
Microphones: DPA 4007 Stereo pairs
Piano: Steinway D Model Grand Piano
Piano Technician: Balázs Tóth
Producer: Róbert Zoltán Hunka
Recording Engineer: András Makay
Recording Location: Live Recording with Audience at Supersize Recording Studio, Törökbálint, Hungary on August 31, 2019
Recording Software: Pyramix. Merging Technologies
Recording Technician: Gábor Szendro
Recording Type & Bit Rate: DSD 256

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MRC1901: Goldberg-Variationen
01:26:06   Select quality & channels above
Tracks.
1.
Aria
Bach
00:04:25   N/A
2.
Variation 1 A 1 Clav.
Bach
00:02:06   N/A
3.
Variation 2 A 1 Clav.
Bach
00:01:28   N/A
4.
Variation 3 A 1 Clav. Canone All' Unisuono
Bach
00:02:08   N/A
5.
Variation 4 A 1 Clav.
Bach
00:01:08   N/A
6.
Variation 5 A 1 Ovvero 2 Clav.
Bach
00:01:40   N/A
7.
Variation 6 A 1 Clav. Canone Alla Seconda
Bach
00:01:24   N/A
8.
Variation 7 A 1 Ovvero 2 Clav.
Bach
00:01:55   N/A
9.
Variation 8 A 2 Clav.
Bach
00:02:08   N/A
10.
Variation 9 A 1 Clav. Canone Alla Terza
Bach
00:02:12   N/A
11.
Variation 10 A 1 Clav. Fughetta
Bach
00:01:58   N/A
12.
Variation 11 A 2 Clav.
Bach
00:02:00   N/A
13.
Variation 12 Canone Alla Quarta
Bach
00:02:51   N/A
14.
Variation 13 A 2 Clav.
Bach
00:05:54   N/A
15.
Variation 14 A 2 Clav.
Bach
00:02:19   N/A
16.
Variation 15 A 1 Clav. Canone Alla Quinta. Andante
Bach
00:05:58   N/A
17.
Variation 16 Ouverture A 1 Clav.
Bach
00:02:49   N/A
18.
Variation 17 A 2 Clav.
Bach
00:01:54   N/A
19.
Variation 18 A 1 Clav. Canone Alla Sesta
Bach
00:02:07   N/A
20.
Variation 19 A 1 Clav.
Bach
00:01:29   N/A
21.
Variation 20 A 2 Clav.
Bach
00:02:04   N/A
22.
Variation 21 Canone Alla Settima
Bach
00:02:57   N/A
23.
Variation 22 A 1 Clav. Alla Breve
Bach
00:01:40   N/A
24.
Variation 23 A 2 Clav.
Bach
00:02:12   N/A
25.
Variation 24 A 1 Clav. Canone All' Ottova
Bach
00:02:17   N/A
26.
Variation 25 A 2 Clav.
Bach
00:10:00   N/A
27.
Variation 26 A 2 Clav.
Bach
00:02:12   N/A
28.
Variation 27 A 2 Clav. Canone Alla Nona
Bach
00:01:59   N/A
29.
Variation 28 A 2 Clav.
Bach
00:02:08   N/A
30.
Variation 29 A 1 Ovvero 2 Clav.
Bach
00:02:33   N/A
31.
Variation 30 A 1 Clav. Quodlibet
Bach
00:01:46   N/A
32.
Aria Da Capo
Bach
00:04:25   N/A

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