For his début solo recording, Swedish lutenist Jonas Nordberg presents a delightful selection of works for Baroque lute and theorbo; the grandeur and elevated spirit of the French Baroque music of Dufaut and de Visée alternate with the refinement and extraordinary originality of the works of Silvius Leopold Weiss, who was regarded as the finest lutenist of his time.
Jonas Nordberg, who has recorded for BIS three CDs with recorder virtuoso Dan Laurin, gives personal and intense performance of these pieces, recorded in the gorgeous acoustic of the 13th Century Spanish church of San Francisco, in Ávila.
Total time: 01:04:24
|Original Recording Format|
Merging Horus AD/DA
Auditorio San Francisco, Ávila, Spain
|Recording Type & Bit Rate||
|Release Date||October 10, 2015|
“The warmth and closeness of the recording is admirable […]. Nordberg is clear in the exposition of the polyphony, natural in the treatment of rhythm, exquisite with the dynamics and the ornamentation.”
Jonas Nordberg […] deployes a remarkable mastery deploying a remarkable mastery of precision and musicality. From start to finish the performance […] is a plea to rediscover this music.
A recording as it should be: intimate and detailed, with enough room for the sound to flourish.
“In both Multichannel and Stereo, the recording is simply impeccable, caressing the listener with the full realism of theorbo and lute […]. Empathy and rapport distinguish Nordberg’s first solo disc. If you’ve never heard a theorbo (or a lute, for that matter), here is a very fine recording to try, with state of the art in sound (DSD256 – 11.289MHz capture, DSD master).”
“High resolution is all about detail and timbre. And that is just what we hear abundantly on this disk. Every note can be pin pointed; one hears the fingers on the strings. The discrete surround (which in fact copies the reflection one hears in a hall, or, in this case, a church) creates lots of ‘air’ around the music, making these pieces a very relaxing joy to listen to. […] Under the carful hands of Nordberg, the music is reflective and yet addictive for all lute (and theorbo) aficionados and at the same time most instructive for all those who want to know more about it and are willing to let themselves be carried away in a well-chosen spiritual combination of music, culture and history.”
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