True Audiophile: The Best Of Groove Note, Volume 1

Various Artists

14.9928.49
Clear
Original Recording Format: DSD 64

Groove Note releases its first audiophile ‘Best Of’ collection. You can expect a delectable selection of some of their best sounding and most popular super audiophile cuts including Jacintha’s “Danny Boy”, Eden Atwood’s “Meditation,” Roy Gaines’ “Stormy Monday” and Anthony Wilson’s “She’s So Heavy”.

The album highlights include: The intimate, delicate, sweet and tender voice of Jacintha; Roy Gaines, the greatest living blues guitarist that you probably don’t know anything about, a sizzling blues guitarist with one of the most magnificent blues voices around; Eden Atwood, who has a voice that is many things – seductive, plaintive, sensitive, gifted with perfect intonation and phrasing, and entertaining; Guitarist for Diana Krall, Anthony Wilson is one of the most brilliant musicians working in the US jazz scene today; Bill Cunliffe is a leading West Coast jazz pianist with several albums to his credit; With a sensual and seductive voice right out of the ’40s or ’50s, Luqman Hamza (pronounced Luke-mahn Hahm-za) is a real discovery; And rounding out this already impressive list, tenor saxophonist extraordinaire Bennie Wallace!

All 14 tracks are presented in Stereo DSD of which 7 are presented in Multichannel DSD too.

* NativeDSD makes this recording available for the first time as a DSD Download to a wider audience, outside the US and Canada.
* NativeDSD exclusively offers this recording as DSD 128 and DSD 256 Downloads (see Tech Specs for more info).

Tracklist

1.
Boulevard Of Broken Dreams
04:57
2.
Stormy Monday
03:35
3.
Meditation
05:42
4.
She's So Heavy
09:46
5.
Light My Fire
04:00
6.
Deep Purple
04:57
7.
Imagine
03:25
8.
April In Paris
04:30
9.
O Ganso
04:31
10.
Something Cool
06:06
11.
Fleur D'Ennui
06:40
12.
Blame It On My Youth
06:34
13.
Just One Of Those Things
05:17
14.
Danny Boy
07:26

Total time: 01:17:26

Additional information

Label

SKU

GRV1036

Qualities

, ,

Channels

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Artists

Genres

,

Cables

AudioQuest

Digital Converters

Sony Sonoma, EMM Labs Meitner ADC-8

Executive Producers

Ying Tan and Sebastian Koh

Mastering Engineer

Bernie Grundman at Bernie Grundman Mastering, Dave Glasser at Airshow Mastering

Mastering Room

DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA

Microphones

AKG C-12, C-12A, C-24, KM 54, 451, 460, Neumann M-50, M-49, M-249, U-67, 251, U-47FET, Sony C55P, Shure 57, Sennhesier 441, 421, Llomo 919A-19, RCA 44, EV PL-20

Notes

We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. 

They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise.This results in the listener’s DAC using gentler and more phase linear filters for playback of the music.

Recording Locations: Ocean Way Recording in Hollywood, CA, Record One in Sherman Oaks, CA, Cello Studios in Hollywood, CA, Castle Oaks in Calabasas, CA, Systems Two in Brooklyn, NY, Airborne Audio Productions in Kansas City, MO

Original Recording Format

Producer

Joe Harley, Ying Tan

Recording Engineer

Michael C. Ross, John Sorenson, Joe Marciano

Recording Software

Sony Sonoma DSD Workstation

Recording Type & Bit Rate

Analog, DSD 64fs

Release Date July 13, 2018

Press reviews

sa-cd.net

This is an excellent sounding DSD recording that contains some standout system demo tracks.

I expect that a sampler from this ‘audiophile label’ would sound good and it does shine here. The wide soundstage and wonderful holographic image make this a sonic delight. If you have the system, your speakers should disappear. Each instrument has a firm position with air that surrounds them. If your system is set up and can reproduce it, it will sound like you are right there. Very immediate.

The big surprise is how much I enjoyed the music. Nice playing this disc from start to finish. That is not always the case on samplers. ‘She’s So Heavy’ and ‘Stormy Monday’ are standouts. A very nice blend of vocals, jazz, and blues.

Recommended and currently in rotation.

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