Music Reviews

An American Dream?

Now Available for 40% OFF!

This release gives you excellent renditions of two American classics, but there’s more to it.

Barbara Hannigan’s An American Dream? opens like a fairground at dusk — lights still glowing, colors a little faded, music carrying memories more than promises. Hannigan has said she once felt awe toward America, and now feels mostly nostalgia. You hear that shift immediately. It’s not commentary. It’s atmosphere. Hannigan, a Canadian soprano and conductor long admired for her curiosity and range, approaches this American program with both affection and distance.

As principal guest conductor of the Gothenburg Symphony Orchestra, Hannigan shapes this program from the inside out. Her admiration for the “creativity and tenacity” of American composers becomes the thread that ties Gershwin’s exuberance in the Porgy and Bess selections to Copland’s Stravinsky-like rhythms in his Dance Symphony. From there, the program turns toward the bittersweet Carousel Waltz and the circling reflections of At the Fair, arranged by Hannigan and Bill Elliott.

The Gershwin selections feel like postcards from another era: bold colors, bustling activity, and a kind of optimism that now sounds remembered rather than lived. The Dance Symphony keeps the motion going — rhythms that once pushed forward now echoing back. A small but telling detail: both Gershwin and Copland were sons of immigrants. By the time we reach the At the Fair suite with Hannigan’s vocals, the fairground becomes a metaphor — innocence, spectacle, and longing.

She ends the program with Don’t Rain On My Parade — not as a wink, but as a stance. After all the circling memories, here is a burst of unfiltered confidence. It’s not sentimental. It’s not wistful. She doesn’t tell us what America is; she shows us what it feels like to remember it.

The orchestra plays beautifully, and Hannigan’s voice rises straight from the podium — not added later, not spotlighted, but woven into the ensemble like a memory surfacing in real time. And as a conductor, she makes the Gershwin and Copland pieces glow.



You may also be interested in:

Written by

Bill Dodd

Bill is Senior Music Reviewer at NativeDSD. He lives in the Portland, Oregon area. He is an avid photographer too! Along with his early interest in broadcasting and high fidelity audio, he was exposed to classical music in small doses from age 5, was given piano lessons from age 9— Starting with Bach and including Gershwin. Successful morning personality in San Francisco at age 22. (true). Sang in choirs in high school and college. Although the broadcasting experience was all in popular music, his personal listening has been mostly classical his whole life—along with others including Benny Goodman, Miles Davis, Dave Brubeck, Joni Mitchell, The Who, and Led Zeppelin.

Comments

No comments yet

Leave a Reply

Currency
Cart