Machaut

Chanticleer, Tim Keeler

€17,99 – €32,99
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Chanticleer turns to the fourteenth century’s most towering figure, Guillaume de Machaut, presenting both faces of his remarkable career: the devout cleric of Reims Cathedral and the courtly poet-composer of secular love song.

The album’s centerpiece is the Messe de Nostre Dame, one of the era’s only surviving polyphonic mass settings by a single composer, its rocketing rhythms and sonorous blocks of sound still astonishing nearly seven centuries later.

Alongside it, Chanticleer performs Machaut’s ballades, rondeaux, virelais and motets. Intricate, pun-laden love songs written for his noble patrons, brought to life with an improvisatory, historically-informed approach to ornamentation and color.


Chanticleer
Tim Keeler, Director & Countertenor

Tracklist

Please note that the below previews are loaded as MP3.
1.
Messe de Nostre Dame: I. Kyrie I
04:11
2.
Messe de Nostre Dame: II. Christe
02:41
3.
Messe de Nostre Dame: III. Kyrie II & III
03:15
4.
Messe de Nostre Dame: IV. Gloria
04:38
5.
Messe de Nostre Dame: V. Credo
05:45
6.
Messe de Nostre Dame: VI. Sanctus & Benedictus
05:15
7.
Messe de Nostre Dame: VII. Agnus Dei
04:03
8.
Messe de Nostre Dame: VIII. Ite missa est
01:37
9.
Douce dame jolie
02:50
10.
Certes, mon oueil
05:13
11.
De bon espoir / Puis que la douce rousee / Speravi
02:51
12.
Rose, liz, printemps, verdure
05:01
13.
Dame, de qui toute ma joie vient
05:21
14.
Riches d’amour
06:15

Total time: 00:58:56

Additional information

Label

SKU

DE3631

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Recording Location

St. Ignatius Church, San Francisco, CA

Recording Engineer

Marlan Barry, Robert Gatley

Producer

Marlan Barry

Release Date September 11, 2026

Press reviews

Gramophone

For this thoughtful Machaut anthology, Chanticleer explore nearly as many ways of performing polyphony as there are individual pieces… Although one might question how well the performance gels, there is no denying its individuality — which is saying a great deal, given the Mass’s recording pedigree. The determination to put performance issues front and centre of the project is very commendable, with the dreamlike Riches d’amour a perfect summing-up.

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