The Saxophone trio format has always been one dear to my heart and when I was approached by Attila and Ernő to play with them in the newly christened House of Music Hungary it was an opportunity I did not want to miss. Perhaps one of the many beautiful things about jazz is that musicians who have never met before can instantaneously create something special on their first encounter and this was certainly the case last March in Budapest. After a short afternoon rehearsal we shared a lovely debut concert which was captured to Pure DSD 256 Stereo by the team of Hunnia Records. For this evening we selected a mix of songs, old and new, which we treated in a very open and playful way.
This is a Pure DSD 256 Stereo album. Available exclusively in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.
Some brief words about the songs...
Introduction: Wherever I roam on this good earth my Indian shruti box is always at hand and I love to use it to accompany the sax. In this introduction I start alone and am slowly joined by bass and drums to set the mood for the songs to follow.
Piosenka Dla Stasia is a song I first heard by the Polish vocalist Anna Maria Jopek and right away it was one I felt I would love to transport into the trio format. I believe it was written for her son and it carries with it a heartfelt melody.
Star Shepherd is an old favourite of mine with a modest attempt to transpose the acoustic illusion of shepard tones which seem to endlessly rise or fall into a jazz context.
Precious Lord was the favourite song of Martin Luther King and has been recorded by countless stars in its history. The text was the first part of the song to catch me–it is a go-to song in times of need and we give it our own take this time.
In Daylight Mourning was a song I wrote for the late pianist John Taylor. I still feel his beautiful presence close by each time I play it.
Foolish is a ballad improvisation based off a well known standard. It still is one of the great ballads I love to play over.
Evening Waltz for Mayflies is a delightful tune which Attila brought with him to the session. After we sightread it on the rehearsal we felt it fit into the set just perfectly.
Too Marvelous for Words is simply one of my favourite standards and one I’ve always loved to blow over. An alternative title for this one could be “Blowing out the jazz cobwebs post-pandemic”.
Our encore was the Sidney Bechet classic Si Tu Vois Ma Mère and simply reflects the fact I had been revisiting a lot of older classic recordings by this master during the several lockdowns of the previous year."
Hayden Chisholm - Alto Saxophone, Shruti Box, VocalsErno Hock - Double Bass Attila Gyarfas - Drums
Tracklist
Total time: 43:24
1.
Introduction
04:38
2.
Piosenka Dla Stasia
03:05
3.
Star Shepherd
05:38
4.
Precious Lord
05:27
5.
In Daylight Mourning
05:11
6.
Foolish
04:28
7.
Evening Waltz for Mayflies
05:15
8.
Too Marvelous for Words
06:25
9.
Si Tu Vois Ma Mère
03:17
Track previews are low res MP3s in Stereo. Your download will come in the quality and channels you choose.
A bit of a magical experience… The recording is of a live performance with an utterly silent audience. It starts with the sound of sruti box** with its continuous soft drone, then a solo saxophone enters, and gradually double bass and percussion begin to contribute. The music is ethereal, it has a subtle soft glow. And then slides seamlessly into a tune on saxophone based clearly in western jazz. The mood stays subdued, subtle, as percussion and bass begin fleshing out the sounds in the room.
Simply beautiful Jazz music. This Pure DSD 256 file is amazing at creating a very believable stage in front of your listening room.
This album, with a few others from NativeDSD, was part of a DSD review I did on my YouTube channel (mikesvinylexperience). The Blue Hours Sessions is a go-to for me when I just want to unwind with a great musical and sonic experience!
Okay, I couldn't agree more with the first two reviews here. If you enjoy the cut-and-dried simplicity of a Jazz Trio, or you're just in the mood, give this a try.
The musicians and the recording are fantastic. Such precision and so serene. Bravo!
Old Gold is superbly produced, mixed and mastered with that classic Stockfisch sound. Great clear vocals, rich guitars and a lovely Old School Classic Vintage feel. A great choice for relaxed and critical listening.
I love instrumental Jazz. So when I encountered the Rembrandt Trio's first album, entitled "The Blue Hour Sessions", I had a brief listen to samples, liked what I heard and bought it (DSD 128 resolution).
As a result of that experience, it will probably come as no surprise to learn that, when "The Golden Hour Sessions" - the group's follow-up album - appeared, I had a listen to samples of that and ended up buying it too (DSD 126 as well).
I was very impressed with the playing on both albums. I also found the music to be highly enjoyable. When the superb recording quality is also taken into account, I feel a warm recommendation is definitely warranted.
The Golden Hour Sessions is an outstanding recording and is a testament to the talent of Rembrandt Freichs Trio. Just another excellent offering from Native DSD
This was one of my first DSD albums. Got it in DSD 256. Now I have more than a few. This one is by far my favorite.
Every time I listen to it I'm amazed at the clarity and detail. The vibraphone jumps out at you every single time and I am amazed every single time. The limited number of reviews do NOT do it justice! It is simply outstanding!
A superbly produced, recorded and mastered album. Live Encounters is a warm intimate Live Jazz audience recording that is very enjoyable, adventurous and engaging without becoming overly showy.
Patricia Barber - Audiophile Queen!! Clique! is superbly produced, recorded and mastered. The album showcases Patricia with elegance, originality and impeccable musicianship. A very rewarding listen for Jazz lovers. A must purchase for any music library.
One of the most creative recordings I have heard. The interplay between Bloom and percussionist Miller reminds me of (weird, I know) the mating dance of rattlesnakes. Beautifully intertwined. Two lives moving in harmony in a way not often heard in music.
For the record, I'm using Roon as my front end. My hardware consists of a NAD 3050 LE, used as a pre-amp, connected to a NAD C298 amp, outputted to two ELAC Adante speakers. I also use the DAC inside a Magnetar UDP 900 universal player, and feed that to line 2 on the NAD 3050.
A beautiful interpretation of Dvorak's 9th Symphony that really stands out from the crowd. Unfortunately, the sound engineer let the triangle get lost in the mix. Otherwise, that’s one of my system’s strengths.
For the *Black American Dances*, the sound engineer clearly put in a lot more effort. A beautiful recording and a real asset to the world of orchestral music.
The Saxophone trio format has always been one dear to my heart and when I was approached by Attila and Ernő to play with them in the newly christened House of Music Hungary it was an opportunity I did not want to miss. Perhaps one of the many beautiful things about jazz is that musicians who have never met before can instantaneously create something special on their first encounter and this was certainly the case last March in Budapest. After a short afternoon rehearsal we shared a lovely debut concert which was captured to Pure DSD 256 Stereo by the team of Hunnia Records. For this evening we selected a mix of songs, old and new, which we treated in a very open and playful way.
This is a Pure DSD 256 Stereo album. Available exclusively in its original recorded format of Pure DSD 256 Stereo, as well as Stereo DSD 512, DSD 128, and DSD 64. It is not available on SACD.
Some brief words about the songs...
Introduction: Wherever I roam on this good earth my Indian shruti box is always at hand and I love to use it to accompany the sax. In this introduction I start alone and am slowly joined by bass and drums to set the mood for the songs to follow.
Piosenka Dla Stasia is a song I first heard by the Polish vocalist Anna Maria Jopek and right away it was one I felt I would love to transport into the trio format. I believe it was written for her son and it carries with it a heartfelt melody.
Star Shepherd is an old favourite of mine with a modest attempt to transpose the acoustic illusion of shepard tones which seem to endlessly rise or fall into a jazz context.
Precious Lord was the favourite song of Martin Luther King and has been recorded by countless stars in its history. The text was the first part of the song to catch me–it is a go-to song in times of need and we give it our own take this time.
In Daylight Mourning was a song I wrote for the late pianist John Taylor. I still feel his beautiful presence close by each time I play it.
Foolish is a ballad improvisation based off a well known standard. It still is one of the great ballads I love to play over.
Evening Waltz for Mayflies is a delightful tune which Attila brought with him to the session. After we sightread it on the rehearsal we felt it fit into the set just perfectly.
Too Marvelous for Words is simply one of my favourite standards and one I’ve always loved to blow over. An alternative title for this one could be “Blowing out the jazz cobwebs post-pandemic”.
Our encore was the Sidney Bechet classic Si Tu Vois Ma Mère and simply reflects the fact I had been revisiting a lot of older classic recordings by this master during the several lockdowns of the previous year."
Hayden Chisholm - Alto Saxophone, Shruti Box, VocalsErno Hock - Double Bass Attila Gyarfas - Drums