Carmina Burana

Budafok Dohnanyi Orchestra, Budapest Academic Choral Society, Gabor Hollerung, István Horváth, Lúcia Megyesi-Schwartz, Rita Rácz, Zsolt Haja

17,9930,99
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Original Recording Format: DSD 256
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NativeDSD is excited to bring you the amazing Carmina Burana from Budapest with the Budafok Dohnanyi Orchestra on Hunnia Records. It is their 4th album at NativeDSD and follows the earlier Pure DSD 256 Stereo releases Pictures, Born For Passion: Virtuoso Hungarian Symphonic Music and Sound of Movies.

Our very own Engineer Tom Caulfield was at the session and helped record & balance the album before mastering it. The album features 56 recorded channels of audio. But there is more!

Orff’s Carmina Burana is one of the most popular works in music history. Orff brilliantly captured the elementality, playfulness, mischievousness and a kind of seductive vulgarity of these poems in the Benediktbeuern collection.

Orff’s rhythm-centered musical language was particularly suited to the setting of these poems, and the musical material, which is repeated three times in the strophicity of each movement, makes the listener a fan of the work almost at first hearing. Numerous images and recordings of sound and scenic productions preserve the work for posterity.

This recording is nothing more and nothing less than a real musical delight. The performing apparatus recorded Orff’s work in an extraordinary setting – the renovated Royal Riding School in Buda – after many concerts.

We hope that listeners will also enjoy this recording.

Budafok Dohnányi Orchestra
Budapest Academic Choral Society
Rita Rácz, Soprano
Lúcia Megyesi-Schwartz, Soprano
István Horváth, Tenor
Zsolt Haja, Baritone
Gábor Hollerung, Conductor

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Fortuna Imperatrix Mundi - O Fortuna
02:32
2.
Fortuna Imperatrix Mundi - Fortune plango vulnera
02:40
3.
I. Primo vere - Veris leta facies
03:36
4.
I. Primo vere - Omnia sol temperat
01:58
5.
I. Primo vere - Ecce gratum
02:42
6.
Uf dem anger - Tanz
01:46
7.
Uf dem anger - Floret Silva
03:03
8.
Uf dem anger - Chramer, gip die verwe mir
03:22
9.
Uf dem anger - Reie
04:05
10.
Uf dem anger - Were diu werlt alle min
00:53
11.
II. In taberna - Estuans interius
02:25
12.
II. In taberna - Olim lacus colueram
03:14
13.
II. In taberna - Ego sum abbas
01:57
14.
II. In taberna - In taberna quando sumus
03:17
15.
III. Cour d'amours - Amor volat undique
02:40
16.
III. Cour d'amours - Dies, nox et omnia
02:22
17.
III. Cour d'amours - Stetit puella
01:22
18.
III. Cour d'amours - Circa mea pectora
02:14
19.
III. Cour d'amours - Si puer cum puellula
00:55
20.
III. Cour d'amours - Veni, veni, venias
00:59
21.
III. Cour d'amours - In trutina
02:01
22.
III. Cour d'amours - Tempus est iocundum
02:28
23.
III. Cour d'amours - Dulcissime
00:42
24.
Blanziflor et Helena - Ave formosissima
01:35
25.
Fortuna Imperatrix Mundi (II) - O Fortuna
02:37

Total time: 00:57:25

Additional information

Label

SKU

HRES2238

Qualities

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Channels

Artists

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Composers

Genres

Analog to Digital Converter

Hapi, Merging Technologies

Mastering Engineer

Tom Caulfield, NativeDSD Mastering Labs

Mastering Speakers

Neumann KH 420

Conductors

Instruments

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Original Recording Format

Producer

Róbert Zoltán Hunka

Recording Engineers

Gábor Halász, Tom Caulfield, Sándor Árok

Recording Location

Royal Riding Hall at the Buda Castle in Budapest, Hungary on June 11-12, 2022

Recording Producer

Zsuzsa Dvorák

Release DateJanuary 13, 2023

Press reviews

Audiophile Soud (magazine)

The chorus’ intonation and ensemble are excellent…

…the very characterful baritone, Zsolt Haja, combines power and lyricism and need fear no comparison.

…the conductor, Gábor Hollerung, who chooses sensible tempi, carefully delineates line and rhythm and – allowing for the small string band – plays close attention to instrumental detail and balance.

…within a nice middle-distance overall balance  the bass-drum sounds huge, with admirable definition, the two pianos are always audible, the brass have presence and sparkle and the woodwind are never swamped (the piccolo is very clear in Fortuna…vulnera for example). Being recorded in DSD256 there is plenty of space on the DSD512 download, the generous acoustic is beautifully captured, the dynamic range is excellent and DSD512 is the nearest digital can get to equalling classic analogue when reproducing the vibrancy of the human voice.

Positive Feedback

This performance of Carmina Burana rises to among the better of the performances I have in my library. What is most striking to my ears is the clarity of the voices in the chorus. More so than almost any other recording I have, the voices here are clear, highly resolved and very articulate. One can actually hear each sung word, which is a truly remarkable credit to both chorus, given that it’s being sung in vernacular Latin, and to recording engineer.

This recording was made in a dedicated recording session over three days, but after many prior live performances in the same venue. The performers all sound immensely well-prepared in this final recording.

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Hunnia Records 192 albums

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